“A.C. Newman pens melodies that seem to have sprung from the collective unconscious and then encases them in bright, lush power-pop arrangements.” –Rolling Stone

“A.C. Newman deserves every last bit of praise thrown his way. In a better world, he would
be our Elton, our Todd, our McCartney."  --All Music Guide

A.C. Newman is neither Hawaiian nor Harvard grad, but oh, yes he can.   This Inauguration Day, the lisping ringleader of that maximalist pop conglomerate The New Pornographers unveils his second solo album, Get Guilty.

Pitchfork called his 2004 solo debut The Slow Wonder "soulful sing-alongs with grit, pop nuggets that hold up to hours of repeat play, and ultimately, the sound of a great songwriter hitting his stride."  Get Guilty both expands on and synthesizes his talents, with the introspection and nuance of The New Pornographers' last album Challengers, but with more immediacy and the excitability of his most-loved songs.

Get Guilty showcases beautifully Newman's fascinating blend of catchiness and impenetrability – witness the first single, "The Palace At 4 A.M.", a Top 40 singalong that namechecks a Donald Barthelme short story and talks of Polynesian dives, bingo, and bombs.  "Thunderbolts" is from the point of view of a gang of young troublemaking gods, and "Like A Hitman, Like A Dancer" distills the 1967 film "Le Samourai" into a simple tale of indecision.  Still, those simple thrilling hair-on-back-of-neck moments so familiar to Newman fans are plentiful here:  The explosive "change your mind" in "Changeling (Get Guilty)"; the unexpected heart-tugging harmonies of "Like A Hitman"; the crescendo coda of "The Heartbreak Rides".

"Spot The Influence" is a perennial sport to play with Newman's songs, and he himself confoundingly explains his formula as a cross between Keith's "98.6" and 10cc's "Dreadlock Holiday."  That said, he cops to "Elemental"'s guitar solo being a tribute to the band Felt, and "The Collected Works" an effort to meld George Benson's "On Broadway" with Queen's "Fat Bottomed Girls".  Which could all be a ploy to deflect the Jimmy Webb comparisons, but we've seen his record collection and the guy goes deep.

Players on Get Guilty include drummers Jon Wurster (Superchunk, Mountain Goats) and Charles Burst, an array of strings, horns, and woodwinds, and vocalists Nicole Atkins and Mates Of State.  It sounds familiarly lush but not overworked, and even intimate.  Dramatic themes recur – change, water, self-doubt, gods and prophets – yet an optimistic beauty prevails.  The stately opening track gives way to the orchestral, romantic road trip of "The Heartbreak Rides," and the album closes with one of his most direct songs ever, "All of My Days and All Of My Days Off," a love letter to his wife about their wedding day.

Newman will be touring North America from February 2009 through the summer, and his cover of Aha's "Take On Me" will be featured on a Starbucks Valentine's Day compilation.

A.C. Newman had a thrilling and prosperous life prior to 1992, but felt he needed more when he joined the Vancouver BC pop/rock act Zumpano. They recorded two albums for Sub Pop in 1995 and 1996 before essentially dropping out of music circles, though no official breakup was ever announced. Neither grunge, post-rock, “orch pop” nor any of the other flavors of the day, Zumpano were highly regarded but maintained a low profile. This changed when Newman resurfaced in 2000 with The New Pornographers, a benevolent dictatorship - not unlike the American government – though one which seeks to overturn existing social structures. Their widely-hailed debut album 'Mass Romantic' brought overdue attention to Newman’s craft, and in 2003, their second album, 'Electric Version,' became an indie smash and topped the year-end critics’ lists.

Now, for the first time, Newman’s out on his own, and the results are predictably stunning. 'The Slow Wonder' has a beautifully open and uplifting feel, even as its lyrics often subvert the sunny vibe. Musically, too, the melodies and arrangements take unexpected detours which give the songs more depth with each listen. In contrast to the nonstop anthemic steamroll of The New Pornographers, 'The Slow Wonder' is full of space and surprise. There’s a sentimental streak in the soaring epic “Secretarial” and gorgeous ballad “Cloud Prayer” (complete with trumpet solo). Elsewhere, “Miracle Drug” is a wickedly frisky guitar number, and “The Battle For Straight Time” could be the next New Pornos hit, while “Better Than Most” dials the clock back to Graham Parker’s late-70s quirks.

Though we can't change the past, we'll settle for changing the future. 'The Slow Wonder' is 34 minutes of the best power pop you’ve heard, an incredible breath of fresh air in a hostile era for genuine hand-crafted music.



“Newman makes pop so informed by pop royalty that he himself should wear a crown of jewels.”

-- The Stranger